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If u are sneaking in her CRATES!!
Yes, there's another new blog in town dedicated to only Bethlehem Records.
Entrance is by invitation only. Send your request for an invitation to: yourfeetstoobig@gmail.com
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If u are sneaking in her CRATES!!
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THE BETHLEHEM BLOG
Yes, there's another new blog in town dedicated to only Bethlehem Records.
Entrance is by invitation only. Send your request for an invitation to: yourfeetstoobig@gmail.com
Bethlehem Records
BETHLEHEM was a New York based record label founded by Gus Wildi in 1953. Wildi was a young man, born and raised in Switzerland, who had the ambition to issue high quality jazz records, both concerning the music and the package.
He had recognized that the importance of the cover quality was underrated by other companies. So Bethlehem was one of the first company to create LP covers which could match the artistic merit of the music.
The covers were heavily laminated and the design was modern and sophisticated, giving off a feeling of quality and substance. From the beginning it was Burt Goldblatt who designed the covers.
One of the first producers was Creed Taylor, who later created the Impulse label. He stayed at Bethlehem into 1956. In 1958 King Record acquired a 50% interest in the company, and then taking it over in 1962 and let it fade out.
BURT GOLDBLATT began his long association with Bethlehem Records in 1953. He was a versatile genius and one of the most prolific designers in the record business. Some of his best covers are for Bethlehem Records. They are masterpieces and beautiful timeless designs with minimized text and strong visual and graphic impact.
Transition Records
TRANSITION was established in 1955 in Cambridge, Massachusetts, by Tom Wilson. Around 10 jazz LPs were issued during the two years the company existed, including albums by Sun Ra, Donald Byrd and Cecil Taylor.
Transition also issued some folk and classical music. The catalogue was aquired by United Artists in the late 1950s, for whom Tom Wilson was by that time working as a producer.
Transition also issued some folk and classical music. The catalogue was aquired by United Artists in the late 1950s, for whom Tom Wilson was by that time working as a producer.
Mode Records
MODE RECORDS was a short lived west-coast jazz label. It´s known, and also collected, for its lavish painted LP covers by Eva Diana. Mode issued around 30 LPs, all in 1957. Almost all were produced by Red Clyde. The catalog now belongs to VSOP Records which have reissued them on vinyl and CD.
Tampa Records
TAMPA RECORDS was founded in Hollywood in 1955 and owned by Bob Scherman and Irving Shorten. The company seems to have operated in about ten years and issued around 25 jazz LPs.
Unfortunately the techincal quality of the albums was not first class. The pressings are bad, and the covers are carelessly done. Titles vary from front cover to back cover, somtimes leaders are named, sometimes not etc.
In general Tampa issues come in two editions with different titles and covers. The first edition has red vinyl and a black label. The second has black vinyl and a pink label.
The founder Bob Scherman also owned other small labels and had produced rhythm & blues for labels such as King. The Tampa material has been reissued by VSOP Records.
Unfortunately the techincal quality of the albums was not first class. The pressings are bad, and the covers are carelessly done. Titles vary from front cover to back cover, somtimes leaders are named, sometimes not etc.
In general Tampa issues come in two editions with different titles and covers. The first edition has red vinyl and a black label. The second has black vinyl and a pink label.
The founder Bob Scherman also owned other small labels and had produced rhythm & blues for labels such as King. The Tampa material has been reissued by VSOP Records.
Jubilee Records
JUBILEE was founded in 1946 in New York by Herb Abramson. The company recorded mostly popular music in the 1950s and 1960s and had a speciality in comedy records. Also some jazz albums were issued in the fifties. The label went out of business around 1970.
http://www.multiupload.com/ZZ5UTBL1Q7
ReplyDeleteThank you for remembering Tony Argo. I wish somebody would "rediscover" more of the underrated and forgotten jazz accordianists.
ReplyDeleteCompletely unknown to me, many thanks.
ReplyDelete